Amadeus review: classical music is Bach and better than ever in Sky's retelling of a tumultuous composer rivalry
· TechRadarTechRadar Verdict
Having polar-opposite tones collide in one series should be a red flag, but Amadeus takes its erratic U-turns in its stride. Will Sharpe and Paul Bettany give career-best performances, even if you realize how modern everything looks on closer inspection.
Pros
- +Will Sharpe and Paul Bettany are at the top of their game
- +Each episode's lively pace is a breath of fresh air
- +Balances frivolous and harrowing drama well
Cons
- -Episodes 3-4 are glaringly weaker than the rest
- -Our younger cast look too modern for a period drama
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A few days before I started watching Amadeus, an influx of young people flooded my TikTok For You Page, playing various Bach pieces on different orchestral instruments while remixing each song with modern music. It was all thanks to a passing trend, but it did briefly make me wonder if classical musical was making a resurgence in digital pop culture.
If those same kids watch the new five-episode Sky TV series, I think they'd be astounded. Amadeus goes far beyond a musical education for the uninitiated, delving further into the supposed rivalry between composers Wolfgang Amadeus Mozart and Antonio Salieri than previous accounts, including Miloš Forman's 1984 film.
Summing this rivalry up in one word would be easy: unhinged. The pair go far beyond the stereotypical boundaries of 'frenemies,' leaving their desperate acts of reconciliation until it's too late. I would never have paired Will Sharpe (Mozart) and Paul Bettany (Salieri) up to portray this, but their chemistry is undeniable.
What's more difficult to explain are the complexities behind this rivalry. To me, the duo's battles put me in mind of a 1700s version of Peggy Mitchell and Pat Butcher, from UK soap opera Eastenders. I'm in danger of losing non-UK readers at this point, but theirs was a connection that spanned decades, ranging from heartfelt consolation to vindictive plotting and literal fist fights. You never knew where you stood with them, and that was a big part of what made them so watchable.
It's not the best analogy I've ever come up with, but the atmosphere of palpable tension punctuated with violent outbursts means you never fully catch your breath. But, while Amadeus is narratively sound, it's visually questionable.
Sky has saved its best show of 2025 until last with Amadeus
Amadeus | Official Trailer | Sky - YouTube
If you look at the YouTube comments on the above video, fans of the 1979 stage play by Peter Shaffer, which he adapted for the subsequent movie, aren't pleased that the same tale is about to be retold. However, while it sometimes feels like we can hardly move for TV and film adaptations that cover familiar ground while not bringing much that's new to the party, I don't think Amadeus can be tarnished with the same brush.
Even if both those earlier versions had been flawless (and the three-hour long film is far from structurally sound, in my opinion), another adaptation would be worthwhile if it added a fresh perspective. Luckily for us, that's exactly what Amadeus does.
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