Nathan Fielder and Lance Oppenheim’s ‘You Can See Everything’ New York Premiere Set for NYFF

The wildly acclaimed Elizabeth Holmes documentary will play New York Film Festival on September 30.

You can now see Nathan Fielder and Lance Oppenheim’s Elizabeth Holmes doc in New York City.

“You Can See Everything,” the A24 documentary that caused a sensation out of Telluride where it played as a surprise screening, will make its NY premiere at the 2026 New York Film Festival on September 30. It’s the latest high-profile addition to the festival after NYFF added Luca Guadagnino’s Sam Altman satire “Artificial” and Paul Thomas Anderson’s 35mm concert doc “Cameron Winter at Carnegie Hall.”

The film will debut on September 30 at Alice Tully Hall with Fielder and Oppenheim in attendance. The festival runs September 25-October 12, opening with James Gray’s “Paper Tiger” and closing with Ava DuVernay’s “14th.”

More on the film from the festival: “In a seemingly endless parade of documentaries, dramatizations, and exposés, Elizabeth Holmes, the inventor of a purported ‘miracle’ medical device at her company Theranos, and sentenced to prison for fraud, has been the face of Silicon Valley hucksterism. Yet in this astounding new film from Nathan Fielder (‘The Rehearsal’ and ‘The Curse,’ NYFF61) and Lance Oppenheim (‘Primetime’), created in secret over the past four years, Holmes becomes an entirely different kind of camera subject. Inviting Fielder into their home to live with them and start recording their lives just 34 days before her incarceration, Holmes and her romantic partner, William ‘Billy’ Evans, profess her innocence on their own, intimate terms. Is this all an elaborate ruse? Or is something even stranger afoot? Fielder and Oppenheim have created a fascinating portrait of a relationship, decimating notions of objectivity in documentary while also interrogating the limits of fiction. This blistering, head-spinning — and frequently hilarious — high-wire act of self-reflexivity keeps changing shape and uncovering surprises as it swerves headlong into the unknowable.”