"We're playing Creep and looking terrible": revisiting Radiohead's most deranged performance ever

· louder

By Niall Doherty
published 21 September 2024

Thom Yorke & co. played the MTV Beach House in 1993, and the singer wasn't shy in showing his displeasure about it

(Image credit: YouTube)

The year 1993 was not a hugely happy one for Radiohead. The Oxford five-piece had released their debut album Pablo Honey early in the year, a middling introduction to a band that would go on to reshape rock music but also one that contained a huge US hit in the anguished Creep. Radiohead were now having to hawk that song across America, becoming more and more disgruntled at the idea they were a one-hit wonder and that they were being pigeon-holed by a song they were quickly going off. The unease seemed to reach a peak at one such promotional stop-off their label had ill-advisedly pencilled in at MTV Beach House. I mean, it’s called MTV Beach House – it doesn’t exactly scream Radiohead, does it?

Footage from the event is an awkward (and awkwardly hilarious) watch. There is a look of disdain on the face of frontman Thom Yorke, at the time sporting bleached peroxide hair, as him and his band amble through a solid version of Creep, their insides dying. But it’s during the next song, Pablo Honey single Anyone Can Play Guitar, that everything really starts to unravel, Yorke delivering the most unhinged performance of his entire career. The first sign that all is not well is when Yorke changes the line “Maybe I could become Jim Morrison” to “Maybe I could become Jim Morrison – fat, ugly, dead”, his voices growing more crazed until he looks into the camera and unleashes a horrifying scream. And then another. And then one more, the camera operator getting right up in his nostril when the most sensible thing to do would be to call a cab and get out of there:

Speaking to Spin Magazine a year later, the band looked back on the whole ordeal.  "The beach party, we swore that would be the last time we'd do that fucking thing,” he said. “An MTV Beach Party. Standing by a pool, because the sun didn't come out." "At least we played well," added Jonny Greenwood. "But I don't think the irony was lost on people. All these gorgeous, bikini-ed girls shaking their mammary glands, and we're playing Creep and looking terrible."

Radiohead would put all their angst about the music industry into the first single from their second record. Titled My Iron Lung, it helped to turn the tide. Read the story of how it came together here.

Get the Louder Newsletter

The latest news, features and interviews direct to your inbox, from the global home of alternative music.

Contact me with news and offers from other Future brandsReceive email from us on behalf of our trusted partners or sponsors

Niall Doherty

Niall Doherty is a writer and editor whose work can be found in Classic Rock, The Guardian, Music Week, FourFourTwo, on Apple Music and more. Formerly the Deputy Editor of Q magazine, he co-runs the music Substack letter The New Cue with fellow former Q colleagues Ted Kessler and Chris Catchpole. He is also Reviews Editor at Record Collector. Over the years, he's interviewed some of the world's biggest stars, including Elton John, Coldplay, Arctic Monkeys, Muse, Pearl Jam, Radiohead, Depeche Mode, Robert Plant and more. Radiohead was only for eight minutes but he still counts it.

More about louder

"It’s always been the song that we would say, ‘This is our best song'": Creed's Mark Tremonti on the track that the band think is their finest

“It was total overkill. We were getting in all sorts of trouble. I thought, ‘I’ve got two months of this, I’m going to be dead at the end of it!’” The epic story of Iron Maiden‘s conquest of America
Latest

"If Cocteau Twins counts as a ‘job’ then of course that was the best": former Cocteau Twin Simon Raymonde on the magic of his old band and being a record label chief
See more latest ►

Most Popular

The 10 psych-rock bands you need to be listening to right now

"It’s not The Beatles, it’s not Metallica, but it wasn’t ever supposed to be." Mushroomhead blew up with nu metal and were rivals with Slipknot, but never got the dues they deserve

"Pete Townshend rates them above The Who": The Kinks' albums you should definitely listen to

"The future of music is not Taylor Swift." Monster Magnet's Dave Wyndorf shares his wisdom on AI, aliens and the state of rock'n'roll

"It was a watershed moment for the band, with our existence very much under threat": Steve Hackett on The Lamb Lies Down On Broadway and keeping the Genesis flame alight

"We never had to try to fit in because we were never going to": Punk legends X are finally getting the recognition they deserve, but their biggest success is failure

“He said, ‘You’ll be with me for a short time because I won’t be able to keep you.’ And he was right… We were always quietly confident”: What went right for 10cc, what went wrong, and how they could have avoided it

"It quickly becomes obvious that this is more than just a festival – it's a movement". The 8 best bands we saw at Decolonise Festival 2024

"It'll be extra special!" Haken's Ross Jennings gets ready for Be Prog! My Friend. Read our full preview here...

“Roots Bloody Roots is like a baby’s lullaby”: Sepultura/Soulfly legend Max Cavalera picks the five songs that define his career

"Our influences are really hard, dark rap tracks." How Sweden's Thrown became breakout stars of metalcore's most aggro subgenre: pissedcore