'Sundays' (L-R) Blanca Soroa, Miguel Garcés and Patricia López Arnaiz in ‘Sundays’ Courtesy of SSIFF

Goyas 2026: ‘Sundays,’ ‘Sirāt’ Sweep Spanish Academy Awards

by · Variety

“Sirāt,” Oliver Laxe’s techo-sluiced Moroccan desert odyssey, swept the 40th Spanish Academy Goya Awards in craft categories. A “brilliantly bizarre, cult-ready vision of human psychology tested to its limits,” said Variety, ““Sirāt” is nominated for two Oscars and already won a Cannes Festival Jury Prize. 

“Sirāt” won most awards at Saturday’s Goya Awards ceremony. .      

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However, Alauda Ruiz de Azúa’s “Sundays,” a study of failing family dynamics, plagued by intolerance, won the biggest: best picture, director, actress (Patricia López Arnaíz) and original screenplay. 

With Oscar voting in full swing, sound went to the Oscar-nominated all-female team of “Sirāt”: supervising sound editor Laia Casanovas, re-recording mixer Yasmina Praderas and production sound mixer Amanda Villavieja who spent nine months on and off on the sound design process.

The biggest breakout of the night, however, was “Deaf,” a Berlinale Panorama Audience Award winner and portrait of the challenges facing the deaf, here a mother, in a world where they are expected to hear.  

Barcelona is not Berlin. It took just 150 seconds of Saturday’s Goya Awards for co-host Luis Tosar, wearing a Palestine pin, to condemn “Gaza genocide” – with the audience pretty well unanimously bursting out in applause.

Susan Sarandon, winner of this year’s International Goya of Honor, thanked Spanish President Pedro Sánchez and many artists from Spain who “talk with such moral lucidity.” “It helps me to feel less alone, part of a larger community,” in a world dominated by “cruelty” and “violence,” she added.

“Dictators can govern countries by whims. That can be denying gender violence and climate change, invading countries  and deporting immigrants,” said Joaquin Oristrell, a co-winner of adapted screenplay, again to raucous applause,     

In her acceptance speech, Sarandon quoted American writer Howard Zinn: “To be hopeful in bad times is not just foolishly romantic. It is based on the fact that human history is a history not only of cruelty, but also of compassion, sacrifice, courage, kindness. 

40th Spanish Academy Goya Awards, 2026 

Best Picture

“Sundays,” Manu Calvo, Marisa Fernández Armenteros, Sandra Hermida, Nahikari Ipiña, 

Director

Alauda Ruiz de Azúa, “Sundays”

Actress

Patricia López Arnaíz

Actor

Jose Ramón Soroiz, “Maspalomas”

New Director

Eva Libertad, “Deaf”

Original Screenplay

Alauda Ruiz de Azúa, “Sundays”

Adapted Screenplay

Joaquín Oristrell, Manuel Gómez Pereira, Yolanda García,  “La Cena” 

Art Direction

Laia Ateca,  “Sirāt”

New Director

Eva Libertad, “Deaf”

Supporting Actor

Álvaro Cervantes, “Deaf”

Supporting Actress

Nagore Aramburu, “Sundays”

New Actress 

Miriam Garlo, “Deaf”

New Actor

Toni Fernández Gabarre, “Sleepless City”

Documentary Feature

Albert Serra, “Afternoons of Solitude”

Animated Feature

Decorado,” Alberto Vazquez, Chelo Loureiro, Iván Mimabres, José María Fernández de Vega

Sound

Amanda Villavieja, Laia Casanovas, Yasmina Praderas, “Sirāt”

Original Music

Kangding Ray, “Sirāt”

Cinematography

Mauro Herce, “Sirāt”

Editing

Cristóbal Fernández, “Sirāt”

Production Design

Oriol Maymó, “Sirāt”

Original Song

Alba Flores, Sílvia Pérez Cruz, “Flowers for Antonio”

Special Effects

Paula Gallifa Rubia, Ana Rubio, “Los Tigres,”

Costume Design

Helena Sanchís, “La cena,”

Makeup & Hairstyling

Ana López-Puigcerver, Belén López-Puigcerver y Nacho Díaz, “The Captive”

Ibero-American Film

“Belén,” Dolores Fonzi, Argentina

European Film

Fiction Short

“Angulo Muerto,” Cristian Beteta

Animated Short

“Gilbert,” Jordi Jiménez, Arturo Lacal, Alex Salu

Documentary Shor

“El Santo,” Carlo D’Ursi.

Honorary Goya

Gonzalo Suárez

International Honorary Goya

Susan Sarandon