Eagles Extend Las Vegas Sphere Residency With Six Shows in Fall 2026

The Eagles have extended their multi-year residency at the Las Vegas Sphere, announcing on Monday an additional six shows later this year: Friday, September 18, Saturday, September 19, Friday, November 13, Saturday, November 14, Friday, November 27 and Saturday, November 28.

“Eagles: Live in Concert at Sphere” is the longest-running residency at the venue now with 64 shows in total. The series began in September 2024 and offers fans a multi-media experience celebrating the band’s catalog and history.

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The general on-sale for the September and November 2026 shows will begin Friday, May 15 at 10:00 AM PT at https://ticketmaster.com.

To assist in getting tickets directly into the hands of fans, advance Artist presale registration is available now, and presale begins Wednesday, May 13 at 10 AM PT. Additional presale opportunities begin Thursday, May 14 at 10 AM PT.

Tickets start at $175 and reflect all-in pricing, meaning the ticket price listed is inclusive of taxes and fees.

Limited VIP Ticket Packages will be available and include premium seats, exclusive merchandise, parking, and more.

The Eagles kicked off 2026 by becoming the first band to earn Quadruple Diamond certification by the Recording Industry Association of America (RIAA) for sales of more than 40 million units (40x Platinum) of Their Greatest Hits 1971–1975, which remains the best-selling album of all time in the U.S. Additionally, the band’s legendary album, Hotel California, has been re-certified 28x Platinum by the RIAA, scoring the third best-selling album of all time. Before it was certified multi-Diamond, Their Greatest Hits 1971–1975 was the first album ever to be certified Platinum by the RIAA.

Variety’s Chris Willman said of the residency’s opening night:

“’Welcome to… whatever this is,’ said Don Henley, making his first remarks to the full house gathered for the first night of the Eagles’ residency at Las Vegas’ Sphere Friday night…. I think Henley would have been happy if he’d been sitting in my section in the 200s Friday night and hearing the constant vocal reactions of one middle-aged man in particular. This fellow could be heard loudly exclaiming “Oh my God!” to his companions and everyone in the vicinity when he first entered the auditorium — which does, for every Sphere first-timer, count as some kind of virginity-losing experience. And then, as the two-hour show got underway and proceeded, he could thereafter be heard yelling “Oh my God”… “Ohhh my God”… “Ohhhhh myyyyy Goooooddd” at the start of nearly every song, not because a new video concept was coming up on screen (although usually there was one), but because he was bowled over that every number in the set was a recognized classic. …

“It used the wrap-around screen to surround the group and audience with dazzling, massive-scale starfields while still making clear that it’s the songs that are the star of the show. This is not a residency that intends to try to reinvent a wheel that the U2 and Dead runs already pretty well reinvented. Rather, it provides a model of how a band can come in and embrace the technology with some visual showpieces — including, sure, a Dramamine Moment or two — but also keep things mellow with the kind of not-overwhelming content that might come up behind an artist on a normal arena tour, tastefully super-sized for the occasion.”