Three things are likely true: 1) you're excited for Ryûsuke Hamaguchi's All of a Sudden, which premieres at Cannes this month; 2) you're not going to Cannes this month; 3) you've not seen his 2013 mini-feature Touching the Skin of Eeriness, which finds Hamaguchi embracing the unnerving qualities of Japanese horror cinema, and particularly of